Polly Gasston Goldsmith

22ct gold bracelet made with treasure medallions and hand beaten 22ct gold loose links of<span class="revealed1"> different sizes. The fastener and its chain are also hand made by Polly.</span>
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	  <a class="hide1"><span> [hide]</span></a>Multiple beaten 22ct gold rings hand made by Polly and formed into a flexible, lively<span class="revealed1"> chain. The clasp is also hand made by Polly.</span>
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	  <a class="hide1"><span> [hide]</span></a>Beautiful, large lustrous pearls in shades of cream, peach, apricot, palest pink and<span class="revealed1"> oyster, with 22ct gold sequin beads.</span>
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	  <a class="hide1"><span> [hide]</span></a>22ct gold double wire knot on a heavy melted ring shankHeavy 22ct sequin beads alternating with beautiful polished dark blue kyanite.  The<span class="revealed1"> chains and bars are also handmade by Polly.</span>
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	  <a class="hide1"><span> [hide]</span></a>22ct gold twisted vine tendril brooch with a natural coral bead drop.Heavy gauge 22ct gold wire twisted and shaped by hand. These earrings are not perfect<span class="revealed1"> mirror images because they are made by hand and eye, with no machinery involved, which makes it almost impossible to make an absolutely perfect pair. </span>
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	  <a class="hide1"><span> [hide]</span></a>Solid 22ct gold handmade beads with high quality faceted garnets. These earrings are on<span class="revealed1"> posts.</span>
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	  <a class="hide1"><span> [hide]</span></a>22ct gold ring made with a melted and beaten shank wrapped round with heavy gauge wire.

Polly's Jewellery collections continue to grow and evolve and can be seen in selling exhibitions twice a year, or purchased privately by appointment

Polly Gasston was born and brought up in Kenya. She came to England to study for her A-levels, and to follow her childhood dream of becoming a goldsmith. Having completed the 4-year, full-time course at the Sir John Cass College in London, she worked in Hatton Garden for 7 years, developing a distinctive style of her own which included, among other things, the perfection of complex metal piercing.

The tools she used then are the tools she uses today. The change in Polly's style is remarked upon by everyone who knew her in the early days, and who still know her now; from tiny, detailed, intricate work, Polly has moved into a much bolder, stronger, more confident style. She works only in 22ct. gold and semi-precious stones, which, she says, forms a direct link with the ancient goldsmiths who used exactly the same materials: high-carat gold and vibrant, bright stones such as lapis lazuli, turquoise and coral – and the subtler tones of pearls and agates, jaspers and webstones. Her strongest influences are the jewels of the Ancient Near East, from deep antiquity to the end of the Roman Empire.


News and Exhibitions



Goldsmiths' Company Pavilion 2012


Goldsmiths' Company Pavilion 2012: East Wing Galleries, Somerset House, London

http://www.thegoldsmiths.co.uk/exhibitions-promotions/what's-on/




Goldsmiths' Fair 2012


Goldsmiths' Hall, London. Week 2, Tuesday 2nd - Sunday 7th October 2012

http://www.thegoldsmiths.co.uk/exhibitions-promotions/goldsmiths'-fair/